Displayed in The Main Exhibition Halls
- Albatros Sk1 (Albatros B.II)
- Breguet Type IV U.1
- Bücker Sk25 (Bu181)
- Caproni B16 (Caproni Ca.313)
- de Havilland J28A (Vampire)
- de Havilland J33 (Venom)
- de Havilland Sk9 (DH60)
- de Havilland Sk11A (Tiger Moth)
- FFVS J22-2
- Fiat J11 (CR42)
- Fieseler S14 (Fi 156)
- Focke-Wulf Sk12 (Fw 44)
- Fokker S6B (Fokker C.V)
- FVM Ö1 Tummelisa
- Gloster J8A (Gladiator)
- Hawker B4A (Hawker Hart)
- Hawker J34 (Hunter)
- Hughes Hkp5B (Schweizer 300C)
- Junkers B3C-2 (Ju-86)
- Klemm Sk15B (Klemm 35)
- Macchi M.7
- MBB Hkp9 (MBB Bö 105 )
- Malmö MFI-9B
- Nieuport M1 (Nieuport IV)
- Noorduyn Tp78 (UC-64)
- North American J26 (P-51)
- North American Sk16A (Harvard)
- Phönix J1 (Phönix 122/Phönix C.I)
- Raab-Katzenstein Sk10 (Raab RK-26)
- Reggiane J20 (Re2000)
- Saab B17BL
- Saab B18B
- Saab J21A-3
- Saab J21A
- Saab J29B
- Saab J32E
- Saab J35F
- Saab J35
- Saab JAS39
- Saab Sk50B Safir
- Saab Sk60B
- Saab 210
- Seversky J9 (Seversky EP106)
- Sparmann P1 (Sparmann S1A)
- Sud-Aviation Hkp2 (Alouette II)
- Supermarine Spitfire PR.XIX
- Vertol Hkp1 (Vertol 44A)
- G 101 (Stamer Lippisch Zögling)
- AB Flygplan Se-102 (Grunau Baby)
- AB Flygplan Se-103 (DFS Kranich II)
- AB Flygindustri Se-104 (DFS Weihe)
Read more about this topic: Swedish Air Force Museum
Famous quotes containing the words displayed in, displayed, main, exhibition and/or halls:
“Conversation ... is like the table of contents of a dull book.... All the greatest subjects of human thought are proudly displayed in it. Listen to it for three minutes, and you ask yourself which is more striking, the emphasis of the speaker or his shocking ignorance.”
—Stendhal [Marie Henri Beyle] (1783–1842)
“Conversation ... is like the table of contents of a dull book.... All the greatest subjects of human thought are proudly displayed in it. Listen to it for three minutes, and you ask yourself which is more striking, the emphasis of the speaker or his shocking ignorance.”
—Stendhal [Marie Henri Beyle] (1783–1842)
“What is done for science must also be done for art: accepting undesirable side effects for the sake of the main goal, and moreover diminishing their importance by making this main goal more magnificent. For one should reform forward, not backward: social illnesses, revolutions, are evolutions inhibited by a conserving stupidity.”
—Robert Musil (1880–1942)
“A man’s thinking goes on within his consciousness in a seclusion in comparison with which any physical seclusion is an exhibition to public view.”
—Ludwig Wittgenstein (1889–1951)
“Many of our houses, both public and private, with their almost innumerable apartments, their huge halls and their cellars for the storage of wines and other munitions of peace, appear to me extravagantly large for their inhabitants. They are so vast and magnificent that the latter seem to be only vermin which infest them.”
—Henry David Thoreau (1817–1862)