The Sound
The swamp pop sound is typified by highly emotional, lovelorn lyrics, tripleting honky-tonk pianos, undulating bass lines, bellowing horn sections and a strong rhythm and blues backbeat. It is exemplified by slow ballads like Cookie and the Cupcakes’ “Mathilda” (recorded 1958), considered by many fans as the unofficial swamp pop “anthem.” But the genre has also produced many upbeat compositions, such as Bobby Charles’ “Later Alligator” (1955), popularly covered by Bill Haley & His Comets.
During the genre’s heyday (1958-1964), several swamp pop songs appeared on national U.S. record charts. These included Jimmy Clanton's “Just A Dream” (1958), Warren Storm’s “Prisoner’s Song” (1958), Phil Phillips’ “Sea Of Love” (1959), Rod Bernard’s “This Should Go On Forever” (1959), Joe Barry's “I’m A Fool To Care” (1960), and Dale and Grace's “I’m Leaving It Up To You” (1963).
In swamp pop’s south Louisiana-southeast Texas birthplace, fans regarded many songs that never became national hits as classics. These include Johnnie Allan’s “Lonely Days, Lonely Nights” (1958), Buck Rogers’ “Crazy Baby” (1959), Randy and the Rockets’ “Let’s Do The Cajun Twist” (1962), T. K. Hulin’s “I’m Not A Fool Anymore” (1963), and Clint West’s “Big Blue Diamonds” (1965), among numerous others.
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