Work
Susan Sontag was a writer, professor, film-director, and advocate.
Sontag's literary career began and ended with works of fiction. While working on her fiction, Sontag taught philosophy at Sarah Lawrence College and City University of New York and the philosophy of Religion under Jacob Taubes in the Religion Department at Columbia University from 1960 to 1964. Sontag held a writing fellowship at Rutgers University for 1964 to 1965 before ending her relationship with academia in favour of full-time, freelance writing. At age 30, she published an experimental novel called The Benefactor (1963), following it four years later with Death Kit (1967). Despite a relatively small output, Sontag thought of herself principally as a novelist and writer of fiction. Her short story "The Way We Live Now" was published to great acclaim on 26 November 1986 in The New Yorker. Written in an experimental narrative style, it remains a significant text on the AIDS epidemic. She achieved late popular success as a best-selling novelist with The Volcano Lover (1992). At age 67, Sontag published her final novel In America (2000). The last two novels were set in the past, which Sontag said gave her greater freedom to write in the polyphonic voice.
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Famous quotes containing the word work:
“After decades of unappreciated drudgery, American women just don’t do housework any more—that is, beyond the minimum that is required in order to clear a path from the bedroom to the front door so they can get off to work in the mourning.”
—Barbara Ehrenreich (20th century)
“It is not enough for us to prostrate ourselves under the tree which is Creation, and to contemplate its tremendous branches filled with stars. We have a duty to perform, to work upon the human soul, to defend the mystery against the miracle, to worship the incomprehensible while rejecting the absurd; to accept, in the inexplicable, only what is necessary; to dispel the superstitions that surround religion—to rid God of His Maggots.”
—Victor Hugo (1802–1885)
“I suppose I have a really loose interpretation of “work,” because I think that just being alive is so much work at something you don’t always want to do.... The machinery is always going. Even when you sleep.”
—Andy Warhol (1928–1987)