Surrealist Techniques - Echo Poem

An echo poem is a poem written using a technique invented by Aurélien Dauguet in 1972. The poem is composed by one or more persons, working together in a process as follows.

The first "stanza" of the poem is written on the left-hand column of a piece of paper divided into two columns. Then the "opposite", or 'echo', of the first stanza, in whatever sense is appropriate to the poem, is composed in the right-hand column of the page. The writing is done automatically and often the "opposite" stanza is composed of a phonetic correspondence to the first stanza.

For a longer work, the third stanza can then begin in the left-hand column as an "opposite" or a phonetic correspondence to what preceded it in the right-hand column. Then the fourth stanza might be an "opposite" or sound correspondence to what preceded it in the left-hand column, and so forth. When the poem is completed, the echo of the last phrase, line, or sentence, generally serves as the title.

This is unrelated to the non-Surrealist echo verse form which appears as a dialogue between the questions of a character and the answers of the nymph Echo.

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Famous quotes containing the words echo and/or poem:

    If I had not come to America, where I felt free to formulate tentatively insights at which I had empathically arrived, I would have accomplished very little. I would never have begun to publish, to teach, to undertake research. Because if one does not find an assenting echo to one’s ideas, if one is passed over, as I was in Vienna, then one cannot create. To create, after all, is to believe that what one says will count.
    Margaret S. Mahler (1897–1985)

    A poem should not mean
    But be.
    Archibald MacLeish (1892–1982)