History
The Rivingtons followed up their Billboard Hot 100 hit Papa-Oom-Mow-Mow with the similar The Bird's the Word in 1963. The Trashmen had not heard this version but saw a band called The Sorensen Brothers playing it. They decided to play the song that night at their own gig. During this first performance, drummer and vocalist Steve Wahrer stopped playing and ad-libbed the "Surfin' Bird" middle section. Despite not knowing "The Bird's the Word" was a Rivingtons song, the similarity to "Papa-Oom-Mow-Mow" was obvious and The Trashmen added the chorus to the end of their new track.
A local disc jockey, Bill Diehl, was at the gig and convinced the band to record the track. It was recorded at Kay Bank Studios in Minneapolis. Diehl entered it into a local battle of the bands competition and it won. It was then sent to a battle of the bands competition in Chicago where it also won. This led to the group being signed to Garrett Records with the single being quickly released. It reportedly sold 30,000 copies in its first weekend before going on to national success, reaching #4 on the Billboard Hot 100. However, authorship is credited to Al Frazier, Carl White, Sonny Harris, and Turner Wilson Jr -- the four members of the Rivingtons -- after the group successfully sued the Trashmen on grounds of plagiarism.
Read more about this topic: Surfin' Bird
Famous quotes containing the word history:
“The second day of July 1776, will be the most memorable epoch in the history of America. I am apt to believe that it will be celebrated by succeeding generations as the great anniversary festival. It ought to be commemorated, as the day of deliverance, by solemn acts of devotion to God Almighty. It ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires and illuminations, from one end of this continent to the other, from this time forward forever more”
—John Adams (1735–1826)
“You that would judge me do not judge alone
This book or that, come to this hallowed place
Where my friends’ portraits hang and look thereon;
Ireland’s history in their lineaments trace;
Think where man’s glory most begins and ends
And say my glory was I had such friends.”
—William Butler Yeats (1865–1939)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)