Artist
Sureshbabu was an exceptionally expert in Khyāl, Thumri, Marāthi Nātya Sangeet, and Bhajan. his singing was intelligent, tuneful, aesthetically rich, tender and balanced. His disciple and legendary Hindustani Classical singer Dr. Prabha Atre written in her book Along Path of Music that, his music came through intuition, imagination and will power; not through hard labour. his sweet tone was the life of his singing. Deep yet delicate, it felt like a feather stroking the skin. his phrases were always rounded with neatly drawn curves and were laced with aesthetic embroidery through kan and khatkas. His singing appeared to be very simple and easy, yet it was extremely difficult to imitate. He sang intricate phrases with such ease that one would seldom notice their complexity. He use to say " sing in such a way that after concert, your music eludes the memory of your audience. They should just be filled with the aura of the concert that lingers on " He was one of the few musicians in Maharashtra of that period who was drawn to the Punjabi style of Thumri singing. his thumri singing was legendary and many artists have taken inspiration from that.
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Famous quotes containing the word artist:
“There are so many intellectual and moral angels battling for rationalism, good citizenship, and pure spirituality; so many and such eminent ones, so very vocal and authoritative! The poor devil in man needs all the support and advocacy he can get. The artist is his natural champion. When an artist deserts to the side of the angels, it is the most odious of treasons.”
—Aldous Huxley (18941963)
“While one should always study the method of a great artist, one should never imitate his manner. The manner of an artist is essentially individual, the method of an artist is absolutely universal. The first is personality, which no one should copy; the second is perfection, which all should aim at.”
—Oscar Wilde (18541900)
“Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.”
—Angela Carter (19401992)