Plot
It is two hundred years after the beginning of the Space Era, when human civilization on Earth began expanding into space. However, by the start of the 21st century, two meteors struck the planet, sending humanity into chaos. By the year 179 of the Space Era, secret technology, dubbed Extra-Over Technology, or EOT, was discovered by the Earth Federal Government within a third meteor that hit Earth in the Marquesas Islands of the South Pacific. Dr. Bian Zoldark, head of the EOTI Institute (Extra-Over Technological Investigative Institute), had evidence the creators of the EOT were heading to Earth, in order to reclaim it...or worse, invade the planet. In order to defend humanity from extraterrestrial threats, the government begins to research and develop humanoid mecha called Personal Troopers.
The alien race that created the EOT, the Aerogaters, attacked an Earth ship sent out to investigate their presence in the far reaches of the solar system. This skirmish ends in a defeat for the Aerogaters, prompting the Earth government to negotiate with them. Talks are arranged to take place at a secret facility in Antarctica, but the event is targeted by a rogue faction called the Divine Crusaders. The Divine Crusaders destroy the Aerogater delegation, then turn on the Earth forces. Bian Zoldark, the faction's leader, uses this opportunity to rebel against the Earth government, in hopes of establishing a viable defense for Earth from the Aerogaters and future invaders.
Read more about this topic: Super Robot Wars Original Generation: Divine Wars
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“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)