History
During the late 1950s, the Hollywood filmmaking community decided that changing from filming in the commonly accepted 35 mm format to 65 mm film would provide viewing audiences with an enhanced visual experience. To this end, cameras began to be designed to handle 65 mm film stock. The first camera system to be released using this format was Todd-AO, in 1955. The second was MGM Camera 65, a system designed by Panavision, which was introduced in 1956. In 1959, Panavision introduced Super Panavision 70 to compete with these two systems. Unlike its counterpart Ultra Panavision 70, which used anamorphic lenses, Super Panavision used spherical lenses to create a final aspect ratio of 2.20:1.
In 1959, Walt Disney Productions was the first studio to release a film, The Big Fisherman, using this process.
Some of the films made in Super Panavision 70 were presented in 70 mm Cinerama in selected theaters. Special optics were used to project the 70 mm prints onto a deeply curved screen to mimic the effect of the original three-strip Cinerama process.
The terms "Super Panavision 70", "Panavision 70" and "Super Panavision" were interchangeable, whereas the term "70mm Panavision" referred to films shot in 35mm anamorphic Panavision and blown up to 70mm for release.
Read more about this topic: Super Panavision 70
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