Career
She started her acting career with a telefim named "Tere bina". Marshall was introduced into the modeling world by her aunt. She made her first appearance in a Garnier Fructis commercial and other hair products such as Pantene, Head and Shoulders and Kuene. She was also in a drama tair-e-lahoti as Mahnoor in 2008.
Marshall returned as a model for Gul Ahmed. She worked with fashion designers such as Deepak Perwani, HSY, Bunto Kazmi and Nilofer Shahid.
Marshall was chosen by Bunto Kazmi to model her clothes in 2000 for a Milan fashion show and later modeled for Dior and Gucci.
She starred in Abrar-ul-Haq's music video Preeto (Pretty) and in the music video for the Shehzad Roy song "Jana".
She appeared in the television movie called Tere Bina (without you) in which she played a young spoiled girl who elopes with her boyfriend and then later learns about the responsibilities of marriage, which was followed by a role in the television drama Malika in which she plays a Fashion Model/Actress who gets ahead of her friend in show business.
In November 2010, her two dramas Bahu Rani and Aey Ishq Hamain Barbad Na Ker are currently airing on ARY Digital. She starred in the serial Mere Naseeb Ki Barishein as Maha. The serial finished in September 2010.She has worked in Mera Saaein & is now currently starring in its sequel Mera Saaein 2on Ary Digital.
Read more about this topic: Sunita Marshall
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)