Sumo Wrestlers - Sumo in Mixed Martial Arts

Sumo in Mixed Martial Arts

A number of former sumo wrestlers have competed in mixed martial arts, with limited achievement; perhaps the most successful sumo wrestler to have competed in MMA is Tadao Yasuda who holds a record of two wins and four losses. Sumo wrestlers are ineffective in MMA because the sports are vastly different from one another in achieving victory; striking techniques and submissions are required for MMA and neither are taught in sumo wrestling. A Sumo wrestler would need to train in MMA techniques which has not been the case in the past, as the few sumo wrestlers of distinction to compete in MMA did so for financial reasons and not a career change. A few key sumo techniques which require grabbing the belt or pants of the opponent also become ineffective, as this is illegal in MMA.

Other sumo wrestlers to have fought in mixed martial arts include Alan Karaev, Kōji Kitao, Henry Armstrong Miller, Akebono Tarō, Teila Tuli and Wakashoyo. Former UFC Light Heavyweight Champion Lyoto Machida also has a sumo background but his main style is Shotokan Karate.

Read more about this topic:  Sumo Wrestlers

Famous quotes containing the words mixed, martial and/or arts:

    “It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it ... and then the warmth and richness and fine reality of hunger satisfied ... and it is all one.”
    —M.F.K. Fisher (b. 1908)

    “Strike the concertina’s melancholy string!
    Blow the spirit-stirring harp like any thing!
    Let the piano’s martial blast
    Rouse the Echoes of the Past,”
    —Sir William Schwenck Gilbert (1836–1911)

    “Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
    —Jane Heap (c. 1880–1964)