Sully Prudhomme - External Links and References

External Links and References

  • Gale Contemporary Authors Online, from the Gale Biography Resource Center database
  • René Sully-Prudhomme at www.kirjasto.sci.fi
  • Sully Prudhomme – Biography at www.nobel.se
  • http://www.britannica.com/nobel/micro/572_43.html
  • Poesies.net: Sully Prudhomme
  • Poesies.net: Le Zénith


Nobel Laureates in Literature (1901–1925)
  • Sully Prudhomme (1901)
  • Theodor Mommsen (1902)
  • Bjørnstjerne Bjørnson (1903)
  • Frédéric Mistral / José Echegaray (1904)
  • Henryk Sienkiewicz (1905)
  • Giosuè Carducci (1906)
  • Rudyard Kipling (1907)
  • Rudolf Eucken (1908)
  • Selma Lagerlöf (1909)
  • Paul Heyse (1910)
  • Maurice Maeterlinck (1911)
  • Gerhart Hauptmann (1912)
  • Rabindranath Tagore (1913)
  • Romain Rolland (1915)
  • Verner von Heidenstam (1916)
  • Karl Gjellerup / Henrik Pontoppidan (1917)
  • Carl Spitteler (1919)
  • Knut Hamsun (1920)
  • Anatole France (1921)
  • Jacinto Benavente (1922)
  • W. B. Yeats (1923)
  • Władysław Reymont (1924)
  • George Bernard Shaw (1925)
  • Complete list
  • (1901–1925)
  • (1926–1950)
  • (1951–1975)
  • (1976–2000)
  • (2001–2025)
Cultural offices
Preceded by
Prosper Duvergier de Hauranne
Seat 24
Académie française
1881–1907
Succeeded by
Henri Poincaré
Authority control
  • WorldCat
  • VIAF: 89565335
  • LCCN: n86048840
  • PND: 107683733
  • LIBRIS: 225472
Persondata
Name Prudhomme, René-François-Armand
Alternative names Prudhomme, Sully
Short description French poet and essayist
Date of birth 16 March 1839
Place of birth Paris, France
Date of death 6 September 1907
Place of death Châtenay-Malabry, France

Read more about this topic:  Sully Prudhomme

Famous quotes containing the words external and/or links:

    All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.
    Marcel Duchamp (1887–1968)

    An alliance is like a chain. It is not made stronger by adding weak links to it. A great power like the United States gains no advantage and it loses prestige by offering, indeed peddling, its alliances to all and sundry. An alliance should be hard diplomatic currency, valuable and hard to get, and not inflationary paper from the mimeograph machine in the State Department.
    Walter Lippmann (1889–1974)