Sub-Zero (Mortal Kombat) - Conception and Design History

Conception and Design History

According to Mortal Kombat co-creator John Tobias, Sub-Zero was originally conceived as a character named simply Ninja, a mysterious member of "the Lin Kuei, a legendary clan of Chinese ninja." He wrote that inspiration came from the controversial book The Chinese Ninja Connection by Li Hsing, which "posits historical evidence for the existence of the Lin Kuei and their influence on the Japanese ninja. I was aware of there being some controversy about the author’s claims. So when we split the character in two for palette swaps, I thought it would be fitting that one was of Chinese origin and the other Japanese to kind of embody the argument." Sub-Zero was then named Tundra, but the name was changed after a member of the design team saw the film The Running Man, in which the first assassin fought by Arnold Schwarzenegger's character used the name, albeit not hyphenated.

John Tobias said in 1995 that Sub-Zero was unmasked in Mortal Kombat 3 in order to stir up fan speculation about the character's backstory. An April 1995 article from VideoGames magazine, which was written while the game was still in production, included the first image of actor John Turk in costume, though Turk was purposely photographed from the rear and in shadow in order to conceal the character's identity. The new Sub-Zero made his proper debut on the cover of GamePro that same month with Turk's red outfit tinted blue (as it was for the game), but the photo used was actually mirrored, as his scar was over his left eye. According to Ed Boon, Sub-Zero's Freeze was originally omitted from the game in place of the Ice Shower, but was brought back in the next revision following fan feedback at a local arcade.

Since Mortal Kombat 3, Sub-Zero has had a scar running down from his forehead and across his right eye as a mark of death. The scar was originally red, and later changed to blue in Mortal Kombat: Deadly Alliance as a result of Sub-Zero's enhanced powers. In Mortal Kombat: Deception, his scar has faded to the point where it can no longer be seen. He now wore an armored uniform heavily inspired by Dynastic era Chinese battle armor, though it was often criticized by fans as being too reminiscent of the Shredder. However, Sub-Zero's alternate uniform was very reminiscent of Chinese culture, even featuring Sub-Zero without a cowl and a Qing Dynasty-era hairstyle. In Mortal Kombat: Armageddon, Sub-Zero retains the scar, which is not part of his alternate costume. Since Deadly Alliance, Sub-Zero is the only character who has shown considerable signs of aging. Concept art from Deadly Alliance depicted him with a graying, receding hairline, and a more pale and gaunt face, while his scar was now blue and his forearms frozen over. Although Sub-Zero originally had blue eyes, they turned white after he obtained the Dragon Medallion in the game. Sub-Zero's appearance in Shaolin Monks was one of the most revised ones from the title. Character lead Mark Lappin did almost ten passes on his design; producer Shaun Himmerick noted that "we went through literally 5-6 heads and styles of head costume on him" and commented that Sub-Zero's design in Mortal Kombat was difficult to make although most people called it "simple". In the end, the staff was satisfied with his final look in the game as it reminisces them to his classic outfit.

Aside from Sub-Zero's unmasked appearance in his Mortal Kombat II ending, and his recent portrayal in 2011's Mortal Kombat: Legacy, the character has primarily been portrayed or voiced by non-Asian actors. Midway later explained Sub-Zero's rather Occidental appearance for a Chinese assassin by giving him a Caucasian mother. According to this new backstory, his father had a wife, two sons, and a daughter while he lived in America to hide his personal role as an assassin for the Lin Kuei.

Read more about this topic:  Sub-Zero (Mortal Kombat)

Famous quotes containing the words conception and, conception, design and/or history:

    We are weighed down, every moment, by the conception and the sensation of Time. And there are but two means of escaping and forgetting this nightmare: pleasure and work. Pleasure consumes us. Work strengthens us. Let us choose.
    Charles Baudelaire (1821–1867)

    Belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain.
    David Hume (1711–1776)

    The reason American cars don’t sell anymore is that they have forgotten how to design the American Dream. What does it matter if you buy a car today or six months from now, because cars are not beautiful. That’s why the American auto industry is in trouble: no design, no desire.
    Karl Lagerfeld (b. 1938)

    America is the only nation in history which miraculously has gone directly from barbarism to degeneration without the usual interval of civilization.
    Georges Clemenceau (1841–1929)