Protest Shows and Art
The Stuckists have made use of their art shows in order also to promote a message. The name of the group itself is an ironic pre-emptive riposte to their anticipated enemies—as represented in the first instance by former colleague-turned-YBA, Tracey Emin, who had called the group's co-founder, Billy Childish, "stuck". The group's first show in 1999 was titled, Stuck! Stuck! Stuck!. In 2000, they made an overt challenge with a show titled, The Resignation of Sir Nicholas Serota. A painting in the show, Sir Nicholas Serota Makes an Acquisitions Decision by Charles Thomson, has since been reproduced in the media many times and become an iconic image for the Stuckists.
In 2005, another show was called: "Painting Is the Medium of Yesterday"—Paul Myners CBE, Chairman of Tate Gallery, Chairman of Marks and Spencer, Chairman of Aspen Insurance, Chairman of Guardian Media, Director of Bank of England, Director of Bank of New York. A Show of Paintings by the Stuckists, as Refused by the Tate Gallery. Guaranteed 100% Free of Elephant Dung.
The Stuckists Punk Victorian exhibition at the Walker Art Gallery during the 2004 Liverpool Biennial including a free-standing screen with paintings attacking the Turner Prize and the Tate gallery.
Michael Dickinson has exhibited political and satirical collages, addressing the Iraq War and world leaders, particularly US President George W. Bush. In 2006 he was told he faced prosecution in Turkey, where he lives, for his collage Best in Show, showing the Turkish Prime Minister Tayyip Erdoğan as a dog. He was subsequently prosecuted for a similar collage, Good Boy, and acquitted in a case that had implications for Turkey's application for membership of the European Union.
Read more about this topic: Stuckist Demonstrations
Famous quotes containing the words protest, shows and/or art:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.”
—Susan Sontag (b. 1933)