Stuart Hall (cultural Theorist) - Biography

Biography

Stuart Hall was born into a middle-class Jamaican family of Indian and British descent. In Jamaica he attended a primary school modelled after the British primary school system. In an interview Hall describes himself as a "bright, promising scholar" in these years and his formal education as "a very 'classical' education; very good but in very formal academic terms." With the help of sympathetic teachers, Hall expanded his education to include "T. S. Eliot, James Joyce, Freud, Marx, Lenin and some of the surrounding literature and modern poetry," as well as "Caribbean literature."

In 1951 Hall moved to England as part of the Windrush generation, the first large-scale immigration of West Indians, as that community was then known. He won a Rhodes Scholarship to Merton College at the University of Oxford, where he obtained an M.A..

In the 1950 and 60s, after working on the Universities and Left Review, Hall joined E. P. Thompson, Raymond Williams and others to launch the New Left Review in the wake of the 1956 Soviet invasion of Hungary (which saw many thousands of members leave the Communist Party of Great Britain (CPGB) and look for alternatives to previous orthodoxies). His career took off after co-writing The Popular Arts with Paddy Whannel in 1964.

As a direct result, Richard Hoggart invited Hall to join the Centre for Contemporary Cultural Studies at the University of Birmingham. In 1968 Hall became director of the Centre. He wrote a number of influential articles in the years that followed, including Situating Marx: Evaluations and Departures (1972) and Encoding and Decoding in the Television Discourse (1973). He also contributed to the book Policing the Crisis (1978) and coedited the influential Resistance Through Rituals (1975).

After his appointment as a professor of sociology at the Open University in 1979, Hall published further influential books, including The Hard Road to Renewal (1988), Formations of Modernity (1992), Questions of Cultural Identity (1996) and Cultural Representations and Signifying Practices (1997). He retired from the Open University in 1997. Hall received the European Cultural Foundation's Princess Margriet Award in 2008.

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