Production
In a postscript column in Comp Ace, Humikane Shimada had mentioned his desire to use his Mecha Musume concepts across a variety of media, leading to the production of the Strike Witches OVA by Gonzo. However, at about the same time Humikane was also contracted to create the character designs for Sky Girls, which had its televised run in late 2007. During this time there was no word on the further development of a Strike Witches animated series, although promotional items such as plastic figures of the OVA's characters were released. Not until December 2007 was the anime officially announced, after which details were slowly released, such as the casting of the remaining main characters that had no lines in the OVA.
While Shimada had participated in the initial production for both Strike Witches and Sky Girls, the two contrast in their execution of the mecha element. Sky Girls' Sonic Divers exemplify a futuristic approach, while the Striker Units are more fantastical with a closer connection to Shimada's original illustrations. With the use of World War II era prop fighters as a direct base for the details of each Striker and the weapons used by each Witch, the aerial combat aspect of the series is highly emphasized. In the OVA's mock battle sequence one can see various characters use tactics common to dogfights, such as exploiting the advantage of a smaller turning radius and attacking with the sun to one's back. Additionally, each main character uses a real ace pilot as their archetype, to varying degrees.
Read more about this topic: Strike Witches
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (18601935)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)