Production
In a July 1994 interview with GamePro magazine, director Steven E. de Souza stated that he didn't want to make a generic martial arts movie and described the film as cross between Star Wars, James Bond and a war film. In addition, he indicated that he also did not want to shoehorn in elements from the games, citing the previous year's poorly received Super Mario Bros. film as an example. De Souza said that he avoided the supernatural elements and powers from the games but would hint at their use for a sequel. He also stated that he had trouble casting the part of Cammy.
Street Fighter was filmed mostly in Queensland, Australia along the famous Gold Coast during the spring and summer months of 1994 with most of the interiors and exteriors filmed on soundstages in Brisbane. Some exterior scenes were filmed in Bangkok, Thailand which were used as the backdrop for the fictitious Shadaloo City.
Deleted scenes:
- Chun-Li, disguised as a civilian, wanders through the marketplace and meets up with E. Honda and Balrog, both disguised and who have just acquired the explosives to use on Bison and Sagat.
- Moments before Chun-Li prepares to set the bombs in the Black Market, she is confronted by Cammy, who demands to know where Ryu and Ken are. Chun-Li defeats Cammy in a brief fight and traps Cammy underneath a tent before escaping.
- An alternate and extended opening scene, depicting Chun-Li reporting on the news and attempting to speak with Guile, who is preoccupied with his own business.
- Fei-Long's commercial clip in the opening was removed before the live of GNT News.
Read more about this topic: Street Fighter (film)
Famous quotes containing the word production:
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)