Production
Sam Peckinpah's two previous films, The Wild Bunch and The Ballad of Cable Hogue, had been made for Warner Bros.-Seven Arts. His connection with the company ended after the chaotic filming of Cable Hogue wrapped 19 days over schedule and $3 million over budget. Left with a limited number of directing jobs, Peckinpah was forced to travel to England to direct Straw Dogs. Produced by Daniel Melnick, who had previously worked with Peckinpah on his 1966 television film Noon Wine, the screenplay was based on the novel The Siege of Trencher's Farm by Gordon Williams.
Peckinpah's adaptation of the novel drew inspiration from Robert Ardrey's books African Genesis and The Territorial Imperative, which argued that man was essentially a carnivore who instinctively battled over control of territory. A significant difference between the novel and the movie is the Sumner couple have a daughter who is also trapped in the farmhouse. Peckinpah removed the daughter and rewrote the character of Amy Sumner as a younger and more liberated woman. The film was shot on location at St Buryan, Cornwall.
Beau Bridges, Stacy Keach, Sidney Poitier, Jack Nicholson, and Donald Sutherland were considered for the lead role of David Sumner before Dustin Hoffman was cast. Hoffman agreed to do the film because he was intrigued by the character, a pacifist unaware of his feelings and potential for violence that were the very same feelings he abhorred in society. Judy Geeson, Jacqueline Bisset, Diana Rigg, Helen Mirren, Carol White, Charlotte Rampling, and Hayley Mills were considered for the role of Amy before Susan George was finally selected. Hoffman disagreed with the casting, as he felt his character would never marry such a "Lolita-ish" kind of girl. Peckinpah insisted on George, an unknown actress at that time.
Read more about this topic: Straw Dogs (1971 film)
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)