Building
The municipal collection of modern and contemporary art of the city of Strasbourg has been constantly enlarged and enriched since 1871 and the founding of the Reichsland Alsace-Lorraine. There had already been plans to erect an independent museum since the 1960s.
The building was constructed on the left bank of the Ill River from 1995 until 1998. It was designed by the Parisian architect Adrien Fainsilber, who had already designed the Cité des Sciences et de l'Industrie in the French capital. The exhibition and usable floor space open out on both sides of a central glass covered walk, which is conceived in cathedral-like dimensions, with an interior length of 104 meters and an interior height of 22 meters. A horse sculpture (4 meters high), Hortus conclusus, by the Italian artist Mimmo Paladino is placed on the museum's roof. The building is located at the edge of the old quarter of the city (Petite France), in front of the administrative center of the department (École nationale d'administration) and near the architecturally important baroque weir Barrage Vauban and the medieval tower bridge Ponts couverts. It is also served by its own tramway stop on the Strasbourg tramway ("Musée d'Art moderne", lines B and C).
Read more about this topic: Strasbourg Museum Of Modern And Contemporary Art
Famous quotes containing the word building:
“For we know that if the earthly tent we live in is destroyed, we have a building from God, a house not made with hands, eternal in the heavens.”
—Bible: New Testament, 2 Corinthians 5:1.
“The artist must be an egotist because, like the spider, he draws all his building material from his own breast. But just the same the artist alone among men knows what true humility means. His reach forever exceeds his grasp. He can never be satisfied with his work. He knows when he has done well, but he knows he has never attained his dream. He knows he never can.”
—Rheta Childe Dorr (18661948)
“Writing a book I have found to be like building a house. A man forms a plan, and collects materials. He thinks he has enough to raise a large and stately edifice; but after he has arranged, compacted and polished, his work turns out to be a very small performance. The authour however like the builder, knows how much labour his work has cost him; and therefore estimates it at a higher rate than other people think it deserves,”
—James Boswell (17401795)