Strange Days (The Doors Song)

"Strange Days" is a song by The Doors. It was released in 1967 and is the first track on the album of the same name. According to a review at Allmusic by Tom Maginnis, the song seems to find lead singer Jim Morrison "pondering the state of the then emerging hippie youth culture and how they are perceived by mainstream or 'straight' society." A visit to New York City by The Doors inspired Jim Morrison to write "Strange Days" and other songs on the Strange Days album, the band's second.

According to No One Here Gets Out Alive, "Strange Days" finds Ray Manzarek recording "one of the earliest examples of the Moog synthesizer in rock." The synth was hooked up with the help of Paul Beaver and played by vocalist Morrison.

Two music videos were made for the song. The first featured footage of the band backstage and onstage, as well as Jim Morrison driving his car into a hole in sand and jumping on the hood in frustration. The second features the same circus performers on the Strange Days cover photo, who would explore New York City. It also included footage of various people, which was made "swervy" and distorted to fit in with the strange theme of the song. All of this new footage was mixed with footage of the old video, and re-released as a re-mixed video.

Famous quotes containing the words strange, days and/or doors:

    “The radical changes in society from the small, well-considered hundreds to the countless thousands have of course destroyed the neighborly character of the strange conglomerate. It is more ornamental and much more luxurious now than then.”
    —M. E. W. Sherwood (1826–1903)

    “Tears, idle tears, I know not what they mean,
    Tears from the depth of some divine despair
    Rise in the heart, and gather to the eyes,
    In looking on the happy autumn-fields,
    And thinking of the days that are no more.”
    —Alfred Tennyson (1809–1892)

    “Too late in the wrong rain
    They come together whom their love parted:
    The windows pour into their heart
    And the doors burn in their brain.”
    —Dylan Thomas (1914–1953)