"Strange Days" is a song by The Doors. It was released in 1967 and is the first track on the album of the same name. According to a review at Allmusic by Tom Maginnis, the song seems to find lead singer Jim Morrison "pondering the state of the then emerging hippie youth culture and how they are perceived by mainstream or 'straight' society." A visit to New York City by The Doors inspired Jim Morrison to write "Strange Days" and other songs on the Strange Days album, the band's second.
According to No One Here Gets Out Alive, "Strange Days" finds Ray Manzarek recording "one of the earliest examples of the Moog synthesizer in rock." The synth was hooked up with the help of Paul Beaver and played by vocalist Morrison.
Two music videos were made for the song. The first featured footage of the band backstage and onstage, as well as Jim Morrison driving his car into a hole in sand and jumping on the hood in frustration. The second features the same circus performers on the Strange Days cover photo, who would explore New York City. It also included footage of various people, which was made "swervy" and distorted to fit in with the strange theme of the song. All of this new footage was mixed with footage of the old video, and re-released as a re-mixed video.
Famous quotes containing the words strange, days and/or doors:
“That strange premature genius Chatterton has couched in one line the quintessence of what Voltaire has said in many pages: “Reason, a thorn in Revelation’s side.””
—Horace Walpole (1717–1797)
“He will not idly dance at his work who has wood to cut and cord before nightfall in the short days of winter; but every stroke will be husbanded, and ring soberly through the wood; and so will the strokes of that scholar’s pen, which at evening record the story of the day, ring soberly, yet cheerily, on the ear of the reader, long after the echoes of his axe have died away.”
—Henry David Thoreau (1817–1862)
“It is with blows dealt by public contempt that a husband kills his wife in the nineteenth century; it is by shutting the doors of all the drawing-rooms in her face.”
—Stendhal [Marie Henri Beyle] (1783–1842)