Stevens Theory

"Theory" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1917, so it is in the public domain.

Theory

I am what is around me.

Women understand this.
One is not duchess
A hundred yards from a carriage.

These, then are portraits:
A black vestibule;
A high bed sheltered by curtains.

These are merely instances.

The instances are instances of imagination at work, as in creation of a poem. They are not instances of a scientific theory, for they represent the particularizing quality of imagination, not the generalizing that takes place in scientific reasoning. They may allude to a theory about poetry, to the effect that that it should be local, engaging the environment one has roots in. (See the main Harmonium essay about localism.) But the instances are so loosely connected to any particular locale that they suggest the theory's refutation. The poet's imagination can go anywhere.

Buttel interprets the poem as one of Stevens's attempts to approach the rhythms of prose, as part of a strategic understatement that moves into a poem in an offhand, `anti-poetic' way. He sees that the instances must carry the strength of the theory, but he says nothing about how to understand theory in Stevens's specific sense, and nothing about what strength amounts to in this context.

Compare "Theory" to "Anecdote of Men by the Thousand".

Famous quotes containing the words stevens and/or theory:

    Suppose these houses are composed of ourselves,
    So that they become an impalpable town, full of
    Impalpable bells, transparencies of sound,
    Sounding in the transparent dwellings of the self,
    Impalpable habitations that seem to move
    In the movement of the colors of the mind....
    —Wallace Stevens (1879–1955)

    Freud was a hero. He descended to the “Underworld” and met there stark terrors. He carried with him his theory as a Medusa’s head which turned these terrors to stone.
    —R.D. (Ronald David)