Career
One of Meisel's first jobs was to work for fashion designer Halston as an illustrator. He also taught illustration part-time at Parsons. Meisel never thought he could become a photographer. He admired photographers like Jerry Schatzberg, Irving Penn, Richard Avedon and Bert Stern. He felt that illustration was a thing of the past and found photography as a lasting medium. Later on, while working at Women's Wear Daily as an illustrator, he went to Elite Model Management where Oscar Reyes a booker who liked his illustrations allowed him take pictures of some of their models. He would photograph them in his apartment in Gramercy Park or on the street: on weekdays he would work at Women's Wear Daily and on weekends with the models. One of them was Phoebe Cates. Some of these models took their pictures to Seventeen magazine to show their model books and the people at Seventeen subsequently called Meisel and asked if he wanted to work with them.
Meisel currently works for many different fashion magazines, including US and Italian Vogue, in which he has photographed every cover for two decades.
Meisel has contributed photos for the covers of several popular albums and singles, including two RIAA Diamond-certified albums, Madonna's 1984 album "Like a Virgin" and Mariah Carey's 1995 album Daydream. His work also can be seen on the cover of Madonna's single "Bad Girl" (a nude), the limited picture disc for Madonna's UK single release of "Fever" (a partial nude), and Mariah Carey's single "Fantasy" (simply a different crop of the photo on the cover of the Daydream album).
Read more about this topic: Steven Meisel
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)