Recurring Motifs
Erickson’s novels revolve around concepts that appear in many of his works. One of them is slavery, both actual and metaphorical. Arc d'X begins with the story of the love affair between Thomas Jefferson and a slave girl, Sally Hemings. In a number of Erickson’s novels the selling, buying, owning and disowning of women appears; as often, the men are the more profoundly trapped by what they seek or purport to possess. In virtually all of his novels, the female protagonist is the catalytic figure who sets events into motion, particularly in The Sea Came in at Midnight and Our Ecstatic Days where female characters are dominant. Another important theme in Erickson's novels, particularly in Our Ecstatic Days, is parenthood and the loss of a child. Our Ecstatic Days follows a mother's search for her missing son over the course of a quarter century. The Occupant from The Sea Came in at Midnight is left by his wife and child. In Days Between Stations Adolphe and Maurice Sarre are abandoned by their mother, and Lauren’s son Jules dies. The profound estrangement from his father of Zeroville's central character, Vikar, leads to his obsession with movies, and later he becomes a paternal figure to the teenage Zazi after her mother dies. In These Dreams of You, the adoptive parents of the four-year-old Ethiopian orphan Sheba set out to find the girl's birth mother.
Sometimes Erickson relies on autobiographical information filtered through an unconventional imagination. Erickson's narratives often take place in Los Angeles. Amnesiascope is almost a memoir in which actual people and events from Erickson’s life mix with his imagination. One recurring theme is filmmaking, presented from the perspective of a director (Days Between Stations), screenwriter (Rubicon Beach), critic (Amnesiascope) and film editor (Zeroville). Sometimes the films are transgressive, misunderstood and rejected by the audience.
Some of Erickson's novels can be described as apocalyptic. They present the slow obliteration of the world in which his characters live. Often nature turns against people (the long winter in Paris, sand storms in L.A. and the disappearance of water in Venice and the Mediterranean region in Days Between Stations; the earthquake in Amnesiascope; the lake that floods L.A. in both Rubicon Beach and Our Ecstatic Days). The characters of the novels usually live in metropoles: L.A., New York, Berlin, Paris or Tokyo, in which unexpected natural phenomena cause chaos and show how brittle civilization actually is. Erickson makes occasional use of somewhat supernatural elements such as bizarre artifacts (a bottle with human eyes from Days Between Stations) and the extraordinary gifts of some of his characters (Catherine from Rubicon Beach). The most powerful force of Erickson’s universe is love, often passionate, sensual, overpowering, unstoppable. Lovers hurt each other but at the same time cannot live without each other. When the love is lost, people become empty, bitter or full of hatred. The affection is almost like possession.
Erickson’s characters often appear in multiple books. Adolphe Sarre from Days Between Stations comes back in Amnesiascope and is alluded to in Zeroville. Lauren from Days Between Stations appears in Arc d'X. Carl appears in Days Between Stations, Tours of the Black Clock, Amnesiascope and The Sea Came in at Midnight. Lauren and Jeanine from Days Between Stations and Catherine and Leigh from Rubicon Beach are mentioned in Tours of the Black Clock as characters appearing in the mind of the latter book's protagonist. Wade and Mallory from Rubicon Beach emerge as major characters in Arc d’X. Viv from Amnesiascope returns years later as the adoptive mother in search of her daughter's past in These Dreams of You. Kristin features in both The Sea Came in at Midnight and Our Ecstatic Days. Jainlight from Tours of the Black Clock reappears, in an altered incarnation, in Our Ecstatic Days.
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Famous quotes containing the words recurring and/or motifs:
“Let us think this thought in its most terrible form: existence as it is, without meaning or aim, and yet recurring inevitably, without a finale in nothingnesseternal recurrence.”
—Friedrich Nietzsche (18441900)
“Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have really happened, or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.”
—Northrop Frye (19121991)