Career
Furst is best known for his roles as Flounder in Animal House, as 'Junior' Keller in The Unseen, as Gonzer in the feature film Up the Creek (1984), as Dr. Elliot Axelrod in the television series St. Elsewhere (1983–1988), and as Vir Cotto in the science fiction television series Babylon 5 (1994–1998).
In 1979 he reprised the Flounder character in the ABC sitcom Delta House. He also reprised the character and repeated his famous line "Oh boy, is this great!" in the Twisted Sister music video for "I Wanna Rock.
In 1980, he played the character of Harold in the cult classic movie, Midnight Madness. In 1983, he also appeared in a supporting role as Aldo in the provocative ABC TV movie The Day After. In 1989, he played the character of Albert Ianuzzi in the film, The Dream Team.
Although not a regular, he also appeared in the short-lived 1992 TV series The Amazing Live Sea Monkeys.
In the 1995 animated TV series Freakazoid, he voiced the character Fanboy. Also in 1995, he took a hiatus from Babylon 5 to star in a short-lived TV series, Misery Loves Company. He also voiced a young Colonel Hathi in Season 2 of Disney's Jungle Cubs. He had a starring voice role as Booster in the 2000 series Buzz Lightyear of Star Command, and also played a hulky walrus named Dash in the 2000 Disney movie The Little Mermaid II: Return to the Sea.
In 2002, he guest starred in an episode of Scrubs.
Furst has directed many independent and/or low-budget movies, including the low-budget movie Title to Murder starring Christopher Atkins and Maureen McCormick in 2001 and the direct to video children's movie Baby Huey's Great Easter Adventure.
Furst directed three low-budget movies for the Sci Fi Channel, Dragon Storm in 2004; and Path of Destruction and Basilisk in 2005. He also co-starred in Path of Destruction and Basilisk.
Since June 2006 Furst has co-hosted the Renal Support Network's webcast KidneyTalk with Lori Hartwell.
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Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
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—Anne Roiphe (20th century)
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
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