Process
Most engraving is done by first laying out a broad, general outline onto the plate. This is commonly referred to as etching. After this step is complete the artist can move on to actually engraving the work. The tool most commonly used for engraving is the burin, which is a small bar of hardened steel with a sharp point. It is pushed along the plate to produce thin strips of waste metal and thin furrows. This action is followed by the use of a scraper to remove any burs, since they would be an impediment during the subsequent inking process. It is important to note that engraving must be done in the reverse or mirror image so that the image faces the correct way when the die prints. One trick of the trade was for engravers to look at the object that they were engraving through a mirror so that the image was naturally reversed and they would be less likely to engrave the image incorrectly. Steel plates can be case hardened to ensure that they can print thousands of times with little wear. Copper plates cannot be case hardened but can be steel-faced or nickel-plated to increase their life expectancy.
Read more about this topic: Steel Engraving
Famous quotes containing the word process:
“The moralist and the revolutionary are constantly undermining one another. Marx exploded a hundred tons of dynamite beneath the moralist position, and we are still living in the echo of that tremendous crash. But already, somewhere or other, the sappers are at work and fresh dynamite is being tamped in place to blow Marx at the moon. Then Marx, or somebody like him, will come back with yet more dynamite, and so the process continues, to an end we cannot foresee.”
—George Orwell (1903–1950)
“There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind.... Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to.”
—Joseph Heller (b. 1923)
“The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.”
—Jean Szarkowski (b. 1925)