Box Office Performance
| Film | Release date | Box office revenue | Box office ranking | ||||
|---|---|---|---|---|---|---|---|
| United States | Non-US | Worldwide | Adjusted for inflation (US) |
All-time domestic | All-time worldwide | ||
| Star Wars Episode IV: A New Hope | May 25, 1977 | $460,998,007 | $314,400,000 | $775,398,007 | $1,768,045,075 | #6 | #38 |
| Star Wars Episode V: The Empire Strikes Back | May 21, 1980 | $290,475,067 | $247,900,000 | $538,375,067 | $819,336,780 | #48 | #86 |
| Star Wars Episode VI: Return of the Jedi | May 25, 1983 | $309,306,177 | $165,800,000 | $475,106,177 | $721,748,861 | #36 | #109 |
| Original Star Wars trilogy totals | $1,060,779,251 | $728,100,000 | $1,788,879,251 | $3,309,130,716 | |||
| Star Wars Episode I: The Phantom Menace | May 19, 1999 | $474,544,677 | $552,500,000 | $1,027,044,677 | $601,422,432 | #5 | #10 |
| Star Wars Episode II: Attack of the Clones | May 16, 2002 | $310,676,740 | $338,721,588 | $649,398,328 | $401,436,883 | #34 | #56 |
| Star Wars Episode III: Revenge of the Sith | May 19, 2005 | $380,270,577 | $468,484,191 | $848,754,768 | $452,514,859 | #16 | #28 |
| Prequel Star Wars trilogy totals | $1,165,491,994 | $1,359,705,779 | $2,525,197,773 | $1,455,374,174 | |||
| Star Wars: The Clone Wars | August 15, 2008 | $35,161,554 | $33,121,290 | $68,282,844 | $37,954,914 | #1,818 | — |
| Complete Star Wars film series totals | $2,261,432,799 | $2,120,927,069 | $4,382,359,868 | $4,802,459,804 | |||
Read more about this topic: Star Wars
Famous quotes containing the words box, office and/or performance:
“To be black and an intellectual in America is to live in a box.... On the box is a label, not of my own choosing.”
—Stephen Carter (b. 1954)
“What office is there which involves more responsibility, which requires more qualifications, and which ought, therefore, to be more honourable, than that of teaching?”
—Harriet Martineau (1802–1876)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)