Sound
Although few cameras were made that could record the sound directly onto the film (Fairchild Cinephonic Eight cameras, Fairchild Professional 900 cameras, and Pictorial cameras), there were many projectors that could record and replay sound on a magnetic stripe. For cameras, this stripe had to be added to the film before it had been exposed. For projectors, the stripe had to be added to the film after it had been processed. The stripe was added between the perforations and the edge of the film (see illustration at head of article). Sometimes a balance stripe was added on the opposite edge. This had no purpose other than to allow the film to be completely flat in front the projection window. For synchronised sound, the sound was specified as 56 frames in advance of the picture On the Cinephonic Eight cameras, the picture/sound separation was 52 frames. Fifty six frames was the same physical distance as magnetic sound was specified for the 16mm film format (or 28 frames in that format). Optical sound for 8mm format had been used only on commercial films and some projectors. Fujica made a camera with optical sound recording (Fuji ZS400 cameras), but it was in Single 8 format.
Read more about this topic: Standard 8 Mm Film
Famous quotes containing the word sound:
“Knighterrantry is a most chuckleheaded trade, and it is tedious hard work, too, but I begin to see that there is money in it, after all, if you have luck. Not that I would ever engage in it, as a business, for I wouldn’t. No sound and legitimate business can be established on a basis of speculation. A successful whirl in the knighterrantry line—now what is it when you blow away the nonsense and come down to the cold facts? It’s just a corner in pork, that’s all.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“A system of morality which is based on relative emotional values is a mere illusion, a thoroughly vulgar conception which has nothing sound in it and nothing true.”
—Socrates (469–399 B.C.)
“Every now and then, when you’re on stage, you hear the best sound a player can hear. It’s a sound you can’t get in movies or in television. It is the sound of a wonderful, deep silence that means you’ve hit them where they live.”
—Shelley Winters (b. 1922)