Stand On Zanzibar - Description

Description

Stand on Zanzibar was innovative within the science fiction genre for mixing narrative with entire chapters dedicated to providing background information and worldbuilding, to create a sprawling narrative that presents a complex and multi-faceted view of the story's future world. Such information-rich chapters were often constructed from many short paragraphs, sentences, or fragments thereof — pulled from sources such as slogans, snatches of conversation, advertising text, songs, extracts from newspapers and books, and other cultural detritus. The result is reminiscent of the concept of information overload.

The narrative itself follows the lives of a large cast of characters, carefully chosen to give a broad cross-section of the future world. Some of these interact directly with the central narratives, while others add depth to Brunner's world. Brunner appropriated this basic narrative technique from the John Dos Passos' U.S.A. Trilogy. On the first page of the novel, Brunner provides a quote from Marshall McLuhan's The Gutenberg Galaxy that approximates such a technique, entitling it "the Innis mode" as an apparent label.

Read more about this topic:  Stand On Zanzibar

Famous quotes containing the word description:

    God damnit, why must all those journalists be such sticklers for detail? Why, they’d hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.
    Lyndon Baines Johnson (1908–1973)

    The great object in life is Sensation—to feel that we exist, even though in pain; it is this “craving void” which drives us to gaming, to battle, to travel, to intemperate but keenly felt pursuits of every description whose principal attraction is the agitation inseparable from their accomplishment.
    George Gordon Noel Byron (1788–1824)

    As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.
    Henry David Thoreau (1817–1862)