Stack Effect - Stack Effect in Buildings

Stack Effect in Buildings

Since buildings are not totally sealed (at the very minimum, there is always a ground level entrance), the stack effect will cause air infiltration. During the heating season, the warmer indoor air rises up through the building and escapes at the top either through open windows, ventilation openings, or other forms of leakage. The rising warm air reduces the pressure in the base of the building, drawing cold air in through either open doors, windows, or other openings and leakage. During the cooling season, the stack effect is reversed, but is typically weaker due to lower temperature differences.

In a modern high-rise building with a well-sealed envelope, the stack effect can create significant pressure differences that must be given design consideration and may need to be addressed with mechanical ventilation. Stairwells, shafts, elevators, and the like, tend to contribute to the stack effect, whereas interior partitions, floors, and fire separations can mitigate it. Especially in case of fire, the stack effect needs to be controlled to prevent the spread of smoke and fire, and to maintain tenable conditions for victims and firefighters.

Read more about this topic:  Stack Effect

Famous quotes containing the words stack, effect and/or buildings:

    What is a farm but a mute gospel? The chaff and the wheat, weeds and plants, blight, rain, insects, sun—it is a sacred emblem from the first furrow of spring to the last stack which the snow of winter overtakes in the fields.
    Ralph Waldo Emerson (1803–1882)

    Art should exhilarate, and throw down the walls of circumstance on every side, awakening in the beholder the same sense of universal relation and power which the work evinced in the artist, and its highest effect is to make new artists.
    Ralph Waldo Emerson (1803–1882)

    The American who has been confined, in his own country, to the sight of buildings designed after foreign models, is surprised on entering York Minster or St. Peter’s at Rome, by the feeling that these structures are imitations also,—faint copies of an invisible archetype.
    Ralph Waldo Emerson (1803–1882)