Description
The present building was begun in 1430, on the site of an existing church, and consecrated in 1455. It is an ambitious building, 180 feet long and ashlar faced with a tower at the west end.
It has a Norman foundation dating from 1075, a 1463 font, a 1573 Flemish tapestry, medieval glass and a memorial to most famous parishioner Thomas Browne, author of Religio Medici. The small lead-covered spire with flying buttresses was added by A.E. Street in 1896.
In 1850 two L-shaped trenches accommodating a number of acoustic jars were discovered beneath the wooden floor on which the choir stalls had previously stood. The earthenware jars were built into its walls at intervals of about three feet, with the mouths facing into the trenches.
Read more about this topic: St Peter Mancroft
Famous quotes containing the word description:
“I was here first introduced to Joe.... He was a good-looking Indian, twenty-four years old, apparently of unmixed blood, short and stout, with a broad face and reddish complexion, and eyes, methinks, narrower and more turned up at the outer corners than ours, answering to the description of his race. Besides his underclothing, he wore a red flannel shirt, woolen pants, and a black Kossuth hat, the ordinary dress of the lumberman, and, to a considerable extent, of the Penobscot Indian.”
—Henry David Thoreau (1817–1862)
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St Paul’s, like the editions of Balbec and Palmyra.”
—Horace Walpole (1717–1797)
“The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.”
—Guy Debord (b. 1931)