Description
The small, brick chapel, measuring approximately 90 feet (27 m) long by 70 feet (21 m) wide, is one and a half stories high, set on a high basement. A false front braced by small flying buttresses rises above the main roof, the result of economy measures that lowered the roof below the level of the intended rose window.A tower, statuary and stained glass in the front windows were also cut. The round arched windows are set in rectangular openings. The brick were originally made for Benjamin Henry Latrobe's Basilica of the Assumption, but it was built of stone. The bricks were then purchased for this project for $3,000.00, contributed by Charles Carroll of Carrollton. A stucco cornice lines the sides of the chapel. The interior comprises a wide nave flanked by narrow side aisles. Nine aisle column bays frame three sets of stained glass windows on each side. A sanctuary is set 18 inches (0.46 m) higher than the nave, flanked by transepts on either side and ending in a small semicircular apse. A balcony extends three bays inward from the entry over the nave. The nave ceiling is plaster, simulating a shallow rib-vault. A crypt underlies the church.
During the 1830s and 40s the chapel gained a tower with a spire and interior decoration by Robert Cary Long. However, Long's tower became unstable and was removed in 1916. Some of Godefroy's wood and plaster work was removed at this time. A 1967 renovation sought to restore the chapel to Godefroy's intentions.
The chapel's basement was used for services by black Catholic refugees from San Domingo. Lessons for African-American children were also provided there by the Oblate Sisters of Providence.
The chapel was designated a National Historic Landmark on November 11, 1971.
Read more about this topic: St. Mary's Seminary Chapel
Famous quotes containing the word description:
“As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.”
—Henry David Thoreau (1817–1862)
“The type of fig leaf which each culture employs to cover its social taboos offers a twofold description of its morality. It reveals that certain unacknowledged behavior exists and it suggests the form that such behavior takes.”
—Freda Adler (b. 1934)
“The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.”
—Guy Debord (b. 1931)