Spy fiction, literature concerning the forms of espionage, was a sub-genre derived from the novel during the nineteenth century, which then evolved into a discrete genre before the First World War (1914–18), when governments established modern intelligence agencies in the early twentieth century. As a genre, spy fiction is thematically related to the novel of adventure (The Prisoner of Zenda, 1894, The Scarlet Pimpernel, 1905), the thriller (such as the works of Edgar Wallace) and the politico–military thriller (The Schirmer Inheritance, 1953, The Quiet American, 1955).
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Famous quotes containing the words spy and/or fiction:
“Living, just by itself—what a dirge that is! Life is a classroom and Boredom’s the usher, there all the time to spy on you; whatever happens, you’ve got to look as if you were awfully busy all the time doing something that’s terribly exciting—or he’ll come along and nibble your brain.”
—Louis-Ferdinand Céline (1894–1961)
“A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.”
—Northrop Frye (b. 1912)