Culture
The culture of Zambia is mainly indigenous Bantu culture mixed with European influences. Prior to the establishment of modern Zambia, the natives lived in independent tribes, each with their own ways of life. One of the results of the colonial era was the growth of urbanisation. Different ethnic groups started living together in towns and cities, influencing each other as well as adopting a lot of the European culture. The original cultures have largely survived in the rural areas. In the urban setting there is a continuous integration and evolution of these cultures to produce what is now called "Zambian culture".
Traditional culture is very visible through colourful annual Zambian traditional ceremonies. Some of the more prominent are: Kuomboka and Kathanga (Western Province), Mutomboko (Luapula Province), Ncwala (Eastern Province), Lwiindi and Shimunenga (Southern Province), Lunda Lubanza (North Western), Likumbi Lyamize (North Western), Chibwela Kumushi (Central Province), Ukusefya Pa Ng’wena (Northern Province).
Popular traditional arts are mainly in pottery, basketry (such as Tonga baskets), stools, fabrics, mats, wooden carvings, ivory carvings, wire craft and copper crafts. Most Zambian traditional music is based on drums (and other percussion instruments) with a lot of singing and dancing. In the urban areas foreign genres of music are popular, in particular Congolese rumba, African-American music and Jamaican reggae. Several psychedelic rock artists emerged in the 1970s to create a genre known as Zam-rock, including WITCH, Musi-O-Tunya, Rikki Ililonga, Amanaz, the Peace, Chrissy Zebby Tembo, Blackfoot, and the Ngozi Family.
The Zambian staple diet is based on maize. It is normally eaten as a thick porridge, called nshima (Nyanja Word), prepared from maize flour, commonly known as mealie meal. This may be eaten with a variety of vegetables, beans, meat, fish or sour milk depending on geographical location/origin.
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Famous quotes containing the word culture:
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)
“When women finally get liberated, they’ll do the same that men do—dog eat dog— that’s what our culture is.... Not cooperation but assassination. Women will cooperate until they attain certain goals. Then one will begin to destroy the other.”
—Alice Neel (1900–1984)
“We belong to an age whose culture is in danger of perishing through the means to culture.”
—Friedrich Nietzsche (1844–1900)