Music
Egyptian music is a rich mixture of indigenous Egyptian, African and Western influences.
As early as 4000 BC, ancient Egyptians were playing harps and flutes, as well as two indigenous instruments: the ney and the oud. However, there is little notation of Egyptian music before the 7th century AD, when Egypt became part of the Muslim world. Percussion and vocal music became important at this time, and has remained an important part of Egyptian music today.
Contemporary Egyptian music traces its beginnings to the creative work of luminaries such as Abdu-l Hamuli, Almaz, Sayed Mikkawi, and Mahmud Osman, who were all patronized by Khedive Ismail and who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab, Abdel Halim Hafez and other Egyptian music giants.
From the 1970s onwards, Egyptian pop music has become increasingly important in Egyptian culture, particularly among the large youth population of Egypt. Egyptian folk music is also popular, played during weddings and other festivities. In the last quarter of the 20th century, Egyptian music was a way to communicate social and class issues. The most popular Egyptian pop singers are Amr Diab, Tamer Hosny, Mohamed Mounir and Ali El Haggar.
Belly dance, or Raqs Sharqi (literally: oriental dancing) may have originated in Egypt, and today the country is considered the international center of the art.
Read more about this topic: Sport In Egypt
Famous quotes containing the word music:
“The music stopp’d, and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!””
—Robert Browning (1812–1889)
“I’ve come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I’ve never got there.... I’m always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play every day.”
—Miles Davis (1926–1991)
“If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.”
—Henry David Thoreau (1817–1862)