Works
The most notable recordings of SPK are early: Information Overload Unit, Leichenschrei and AutoDaFe. SPK's music is best described as disturbing and psychologically disorienting, in line with their nihilistic, subversive philosophy. Live performances included video backing (some of which was issued in two Twin Vison videos, Despair and Two Autopsy Films), transgressive performances with animal carcasses and other attempts to make the audience uncomfortable. The group issued manifestos, such as DoKuments 1 and 2, "The Post-Industrial Strategy", which appeared in RE/Search's Industrial Culture Handbook. There is a clear dichotomy between early industrial SPK (1978–83) and the more commercial music later favoured by Revell. Later releases, such as Machine Age Voodoo (1984), were more synthpop-oriented than industrial. Still later, the group moved into electronic orchestral work, with the release of Zamia Lehmanni: Songs of Byzantine Flowers (1986).
Read more about this topic: SPK (band)
Famous quotes containing the word works:
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
—Edmund Burke (1729–97)
“Night and Day ‘ve been tampered with,
Every quality and pith
Surcharged and sultry with a power
That works its will on age and hour.”
—Ralph Waldo Emerson (1803–1882)
“He never works and never bathes, and yet he appears well fed always.... Well, what does he live on then?”
—Edward T. Lowe, and Frank Strayer. Sauer (William V. Mong)