A spin room, also known as spin row or spin alley, is an area in which reporters can speak with debate participants and/or their representatives after a debate. The name refers to the fact that the participants will attempt to "spin" or influence the perception of the debate among the assembled reporters. The benefit for reporters is that they quickly get in-person interviews with debaters or their representatives, complete with audio, video and photos. For a U.S. presidential debate, the number of reporters in the spin room can number into the thousands.
The earliest known spin room was set up by the campaign of U.S. president Ronald Reagan in 1984. In a hotel banquet room, campaign officials spoke on the record with talking points playing up their own candidate's debate performance and minimizing opponent Walter Mondale's success, despite many observers believing Mondale had just won. This operation was dubbed the "spin patrol."
A spin room may also be active before a debate. A common form of pre-debate spin is for each side to try to raise expectations for the opposing debater and lower expectations for their own team, a pursuit known as playing the expectations game.
Some observers have criticized the overt nature of the media manipulation in spin rooms, and the media's willing participation in it. Spin rooms have also been portrayed as outdated in an era of instant online reaction from all quarters before a debate is even over. Instant post-debate "snap polls" attempt to provide a more scientific method than spin rooms in determining who has won a debate.
Famous quotes containing the words spin and/or room:
“In tragic life, God wot,
No villain need be! Passions spin the plot:
We are betrayed by what is false within.”
—George Meredith (18281909)
“Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.”
—Angela Carter (19401992)