Description
Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show." The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama." Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, Wings of Desire, Roy Lichtenstein, the Ramones." A 60 Minutes CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... big show tunes and dance songs."
The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villainness based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".
Read more about this topic: Spider-Man: Turn Off The Dark
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“It [Egypt] has more wonders in it than any other country in the world and provides more works that defy description than any other place.”
—Herodotus (c. 484–424 B.C.)
“Do not require a description of the countries towards which you sail. The description does not describe them to you, and to- morrow you arrive there, and know them by inhabiting them.”
—Ralph Waldo Emerson (1803–1882)
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—Freda Adler (b. 1934)