Style
Speak is a first-person, diary-like narrative. Written in the voice of Melinda Sordino, it features lists, subheadings, spaces between paragraphs and script-like dialogue. The fragmented style mimics Melinda's trauma. The choppy sentences and blank spaces on the pages relate to Melinda's fascination with Cubism. According to Chris McGee, Anderson's writing style allows the reader to see how Melinda struggles with "producing the standard, cohesive narrative" expected in a teen novel. Melinda's distracted narrative reiterates the idea that "no one really wants to hear what you have to say". In her article, "Like Falling Up into a Storybook", Barbara Tannert-Smith says,
"In Speak, Anderson of necessity has to employ a nonlinear plot and disruptive temporality to emphasize Melinda's response to her traumatic experience: the novelist has to convey stylistically exactly how her protagonist experiences self-estrangement and a sense of shattered identity".By disrupting the present with flashbacks of the past, Anderson further illustrates the structure of trauma. Anderson organizes the plot around the four semesters of Melinda's freshman year, starting the story in the middle of Melinda's struggle. Anderson superimposed the fragmented trauma plot-line upon this linear high school narrative, making the narrative more believable.
Read more about this topic: Speak (novel)
Famous quotes containing the word style:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“We think it is the richest prose style we know of.”
—Henry David Thoreau (1817–1862)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)