Spanish Literature - Baroque

Main article: Spanish Baroque literature See also: Spanish Golden Age#Literature

In the Baroque of the 17th century important topics are the prose of Francisco de Quevedo and Baltasar Gracián; the theater is notable (Lope de Vega, Pedro Calderón de la Barca, and Tirso de Molina); and poetry with Luis de Góngora (who is a Culteranist) and Francisco de Quevedo (who is a Conceptist). In the works of Miguel de Cervantes Saavedra notable novels are La Galatea and Don Quixote de la Mancha. The Baroque style used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music.

The Baroque is characterized by the following points:

• Pessimism: The Renaissance had not achieved its purpose of imposing harmony and perfection in the world, as the humanists intended, nor had it made man happier; wars and social inequality continued to be present; pain and calamities were commonplace throughout Europe. An intellectual pessimism took hold, which increased as time passed. This was shown by the angry character of the comedies of that epoch, and by rascal characters on which the picaresque novels are based.
• Disillusionment: As the Renaissance ideals failed, and, in the case of Spain, political power was being dispelled, disillusionment continued to arise in literature. Many cases recall those of two centuries before, with the Danza de la Muerte or Manrique's Coplas a la muerte de su padre. Quevedo said that life is formed by "successions of deceased". Newborns turn into the deceased, and diapers into the shroud that covers lifeless bodies. This leads to the conclusion that nothing is important except obtaining eternal salvation.
• Worry about the passing of time.
• Loss of confidence in the Renaissance ideals.