Spain National Football Team - Style of Play

Style of Play

We have the same idea as each other. Keep the ball, create movement around and off the ball, get in the spaces to cause danger.

“ ” —Xabi Alonso (Spanish midfielder)

Tiki-taka is above all, a systems approach to football founded upon team unity and a comprehensive understanding in the geometry of space on a football field.

Tiki-taka has been variously described as "a style of play based on making your way to the back of the net through short passing and movement," a "short passing style in which the ball is worked carefully through various channels," and a "nonsensical phrase that has come to mean short passing, patience and possession above all else." The style involves roaming movement and positional interchange amongst midfielders, moving the ball in intricate patterns, and sharp, one or two-touch passing. Tiki-taka is "both defensive and offensive in equal measure" – the team is always in possession, so doesn't need to switch between defending and attacking. Commentators have contrasted tiki-taka with "route one physicality" and with the higher-tempo passing of Arsène Wenger's 2007–08 Arsenal side, which employed Cesc Fàbregas as the only channel between defence and attack. Tiki-taka is associated with flair, creativity, and touch, but can also be taken to a "slow, directionless extreme" that sacrifices effectiveness for aesthetics.

Read more about this topic:  Spain National Football Team

Famous quotes containing the words style of, style and/or play:

    I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.
    Cyril Connolly (1903–1974)

    A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.
    Anzia Yezierska (c. 1881–1970)

    There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.
    Muriel Rukeyser (1913–1980)