Interrupted Performances
Only three times in the contest's history has a non-winning entry been allowed to perform again, and in two of these instances, the entries in question were Spanish representatives (the other one being the Italian entry in 1958, "Nel blu dipinto di blu" by Domenico Modugno). The first time this happened to a Spanish representative was in the 1990 contest in Zagreb, when Azúcar Moreno opened the contest with the song "Bandido." The orchestra and the recorded playback began the song out of sync, which caused the singers to miss their cue. The singers left the stage after a few seconds, and no explanation was given at the time. After a few uneasy moments, the music began correctly and the song was performed in full. Azúcar Moreno and "Bandido" went on to place fifth in the final vote tally, though the juries at the time actually awarded their points after watching the dress rehearsal performances, so the restart did not affect Spain's overall result either positively or negatively.
Twenty years later, at the 2010 contest in Oslo, Spain was drawn to perform second in the running order, and singer Daniel Diges's performance of "Algo pequeñito" was disturbed by notorious pitch invader Jimmy Jump. However, Diges performed the song in full, despite the invader's intrusion and subsequent removal from the stage by security personnel, receiving warm applause for continuing from the spectators at the Telenor Arena. After the exhibition of Serbia, co-presenter Nadia Hasnaoui announced that, according to the rules, Diges would be given a second chance once all the remaining countries had performed. Nonetheless, the juries ranked the dress-rehearsal performance of "Algo pequeñito" 20th out of 25 with 43 points, whereas the televoting results ranked Spain 12th, with 106 points. The combination of jury and televote results gave Spain a 15th-place.
Read more about this topic: Spain In The Eurovision Song Contest
Famous quotes containing the words interrupted and/or performances:
“A designer who is not also a couturier, who hasn’t learned the most refined mysteries of physically creating his models, is like a sculptor who gives his drawings to another man, an artisan, to accomplish. For him the truncated process of creating will always be an interrupted act of love, and his style will bear the shame of it, the impoverishment.”
—Yves Saint Laurent (b. 1936)
“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (1893–1967)