Music About Outer Space
In 1958, Karl-Birger Blomdahl composed an opera Aniara to a libretto by Erik Lindegren based on the poem Aniara by Harry Martinson, a tragedy set aboard a space ship.
The Japanese musician Isao Tomita has produced many albums with space-based themes, such as The Planets (1976), his version of Holst's suite; Kosmos (1978); Bermuda Triangle (1979); Dawn Chorus (Canon of the Three Stars) (1984); Space Walk - Impressions Of An Astronaut (compilation, 1984); Mind of the Universe - Live at Linz (1985); Back to the Earth - Live in New York (1988); and Nasca Fantasy (supporting Kodo, 1994).
The Vangelis album Albedo 0.39 (1976) is entirely devoted to space, while a segment of Heaven and Hell (1975) was used as the theme to the PBS television series Cosmos by Carl Sagan. His work Mythodea: Music for NASA's Mars Odyssey Mission is reflective of his interest in space exploration.
Mike Oldfield's 1994 album The Songs of Distant Earth was based on Arthur C. Clarke's SF novel Songs of Distant Earth. Pop songs also mention outer space, such as Chris de Burgh's "A Spaceman Came Travelling", the Bonzo Dog Band's "I'm the Urban Spaceman", David Bowie's "Space Oddity", Elton John's "Rocket Man", Major Tom by Peter Schilling, and Deep Purple's "Space Truckin'".
Several albums have featured music inspired by the Apollo space program. In 1983, Brian Eno with his brother Roger Eno and producer/recording artist Daniel Lanois, composed the score for the film For All Mankind, a documentary of NASA's Apollo program; an album of the music, Apollo: Atmospheres and Soundtracks, was later released. On The Orb's 1991 two-disc debut album, Adventures Beyond the Ultraworld, disc one of features an ambient musical simulation of the Apollo 11 moon journey, including excerpts of NASA recordings of the radio conversations between Mission Control and the astronauts in space.
The filk anthology albums Minus Ten and Counting (1983) and To Touch the Stars (2003) celebrate and promote the exploration of outer space.
Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and basses, with nothing at all in the middle ... The space music gradually drifts towards a return to the movement's opening gesture ... "); and in the manner of its composition, relating that Haydn conceived The Creation after discussing music and astronomy with William Herschel, oboist and astronomer (discoverer of the planet Uranus).
Another band to use space as musical inspiration is the Christian "Astro-Rock" group Brave Saint Saturn, whose three albums, So Far from Home, The Light of Things Hoped For, and Anti-Meridian, form a trilogy that chronicles the journey of the fictional spaceship, the USS Gloria, on a trip to survey the moons of Saturn. The music uses space narratives, lingo, samples and quotes to portray the journey.
Read more about this topic: Space-themed Music
Famous quotes containing the words outer space, music, outer and/or space:
“Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.”
—Arthur Kroker (b. 1945)
“My love shall hear the music of my hounds.”
—William Shakespeare (1564–1616)
“Self-alienation is the source of all degradation as well as, on the contrary, the basis of all true elevation. The first step will be a look inward, an isolating contemplation of our self. Whoever remains standing here proceeds only halfway. The second step must be an active look outward, an autonomous, determined observation of the outer world.”
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“If we remembered everything, we should on most occasions be as ill off as if we remembered nothing. It would take us as long to recall a space of time as it took the original time to elapse, and we should never get ahead with our thinking. All recollected times undergo, accordingly, what M. Ribot calls foreshortening; and this foreshortening is due to the omission of an enormous number of facts which filled them.”
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