Sovereign (British Coin) - Composition

Composition

Sovereigns usually have a higher premium to the price of gold than some other bullion coins, such as the Krugerrand. This is due to a number of factors: the higher unit cost of the Sovereign (at under one-quarter of an ounce); the higher demand for the Sovereign from numismatists (compared to the Krugerrand which is not sought-after numismatically); and the higher costs of identifying and stocking a numismatic coin.

Current sovereigns are struck in the same 22 carat (91⅔%) Crown gold (11/12 gold and 1/12 copper) alloy as the first modern sovereigns of 1817. Alloys are used to make gold coins harder and more durable, so they can resist scratches and dents during handling.

The only time there has been a deviation from this composition was in the production of early Australian sovereigns, which used silver as part of the alloy and in London sovereigns dated 1887, when an additional 1.25% silver was added in order to make the blanks softer for the new Joseph Boehm effigy of Queen Victoria. Consequently, 1887 London Mint sovereigns are more yellow in appearance than other London produced sovereigns. This additional silver affected the amount of copper in the coin, not, of course, its gold content. (Nineteenth century techniques of refining were not as advanced as today, and nineteenth century sovereigns became more accurate in terms of their gold weight as silver — which is often naturally combined with gold — was removed as an impurity from the "pure" gold used. Such minor inconsistencies would not affect either their numismatic or bullion value).

Read more about this topic:  Sovereign (British Coin)

Famous quotes containing the word composition:

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)

    Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.
    Walt Whitman (1819–1892)

    The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.
    Mary Kay Blakely (20th century)