South Central Farm - Criticism

Criticism

Criticism of the SCF occurred primarily from the property's current owner Ralph Horowitz, a partner in both the Alameda-Barbara Investment Company and its current incarnation the Libaw-Horowitz Investment Company. He maintained that his property rights were being denied by the farmers. He also claimed that the SCF is not an "open" organization, since the entire city cannot be members nor can all residents have access to farm on the land. Horowitz had proposed to build a soccer field for the community, built on a set-aside portion of 3 acres (12,000 m2). The field was intended be accessible to all city residents, unlike the SCF. Horowitz stated that the use of the remaining portion of the property would be "market driven". He also stated that he would consider giving preference to a "quality tenant", alleging that anything that he does with the property will generate jobs in the community, unlike its use by the farmers. Horowitz also made the claim that the operation of the SCF was not fair since there was no cap on the number of years that a farmer may use his or her plot of land and there was also no need to make room for someone else; that the farmers simply wanted to keep the land forever. Throughout the controversy, Horowitz had been paying $25,000 per month in mortgage and maintenance costs of the property, plus legal fees.

Other critics of the farmers included Los Angeles Councilman Dennis P. Zine, who alleged that the SCF was a confrontational group, and Daniel Hernandez who wrote an article about the SCF titled "Bushel of Complaints". Claims of internal corruption within the South Central Farm such as farmers being evicted for not supporting the actions of Juarez and Tezozomoc had also been made.

Read more about this topic:  South Central Farm

Famous quotes containing the word criticism:

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)

    ...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.
    Mary Pickford (1893–1979)

    A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige through being mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.
    Rebecca West (1892–1983)