Poets in The Colonial Era
While it has been recorded that literature by black South Africans only emerged in the 20th century, this is only a reflection of published works at the time, not of the reality that black South Africans were writing and reciting in oral forms. The first generation of mission-educated African writers sought to restore dignity to Africans by invoking and reconstructing a heroic African past.
Herbert Isaac Ernest Dhlomo’s iconic works preached a "return to the source" or the wisdom of finding traditional ways of dealing with modern problems. His works included several plays and the long poem The Valley of a Thousand Hills (1941). Poets such as BW Vilakazi gave new literary life to their aboriginal languages, combining the traditional influence of Zulu oral praise poetry (izibongo) with that of the influence of English poets such as Keats, Shelley, Dunbar, Cotter, Gray and Goldsmith] (some of whose poetry he translated into Zulu). Herman Charles Bosman, is best known for his Unto Dust and In the Withaak's Shade capturing a portrait of Afrikaner storytelling skills and social attitudes. Bosman also wrote poetry, with a predominantly satirical tone.
Read more about this topic: South African Poetry
Famous quotes containing the words poets, colonial and/or era:
“Love is a boy, by poets styled,
Then spare the rod and spoil the child.”
—Samuel Butler (1612–1680)
“In colonial America, the father was the primary parent. . . . Over the past two hundred years, each generation of fathers has had less authority than the last. . . . Masculinity ceased to be defined in terms of domestic involvement, skills at fathering and husbanding, but began to be defined in terms of making money. Men had to leave home to work. They stopped doing all the things they used to do.”
—Frank Pittman (20th century)
“...I had grown up in a world that was dominated by immature age. Not by vigorous immaturity, but by immaturity that was old and tired and prudent, that loved ritual and rubric, and was utterly wanting in curiosity about the new and the strange. Its era has passed away, and the world it made has crumbled around us. Its finest creation, a code of manners, has been ridiculed and discarded.”
—Ellen Glasgow (1873–1945)