Sound+Vision Tour - Set Design

Set Design

With the unfavorable attention that his previous solo world tour drew, Bowie was keen to make sure the Sound+Vision Tour did things differently. He said:

It will be staged; there is no way I could ever consider really putting something on the stage that doesn't owe something to theatah (pronouncing 'theatre' in a thick British accent), but it won't be overtly theatre in as much as it won't be propped the same way. Going back to the way we worked towards the Station to Station show, which was basically a question of using a kind of Brechtian lighting pad and working areas and atmospheres of light, is very much the kind of feel it will have. —March 1990

He added that this tour is "nowhere near as ambitious as Glass Spider in size, but qualitatively, in essence, I think it's as theatrical."

In addition to the stark lighting and the backing 4-piece rock band, Bowie employed a new tool for this tour: a giant sixty-by-forty foot transparent gauze scrim. The scrim would occasionally be lowered in front of or behind Bowie, onto which images of Bowie and videos were projected. Bowie described it as being "like a giant Javanese shadow puppet show at times." Two large, round screens at each side of the stage also displayed the videos projected on the scrim.

Video recordings of La La La Human Steps' Louise Lecavalier performing dances in time to the music and images of Bowie singing, playing instruments, miming or otherwise performing to certain songs were projected on the scrim & screens during the show. For some dates, such as the 6 March 1990 performance in Montreal, some of the dancers from La La La Human Steps danced live on stage to some of the songs. Bowie was enthusiastic about the inclusion of the dancers on the tour: "You've never seen anything like them before. They're probably the leading avant-garde dance troupe in North America. Louise Lecavalier, their star, is like nothing else you've ever seen on stage. She's absolutely phenomenal. ... The dance troupe is unbelievable. It's where punk and ballet clash with each other."