Sophie Calle - Later Works

Later Works

In 1996, Calle released a film titled No Sex Last Night which she created in collaboration with American photographer Gregory Shephard. The film documents their road trip across America, which ends in a wedding chapel in Las Vegas. Rather than following the genre conventions of a road trip or a romance, the film is designed to document the result of a man and woman who barely knew each other, embarking on an intimate journey together.

Calle asked writer and filmmaker Paul Auster to "invent a fictive character which I would attempt to resemble" and served as the model for the character Maria in Auster’s novel Leviathan (1992). This mingling of fact and fiction so intrigued Calle that she created the works of art created by the fictional character, which included a series of color-coordinated meals.

Auster later challenged Calle to create and maintain a public amenity in New York. The artist's response was to augment a telephone booth (on the corner of Greenwich and Harrison streets in Manhattan) with a note pad, a bottle of water, a pack of cigarettes, flowers, cash, and sundry other items. Every day, Calle cleaned the booth and restocked the items, until the telephone company removed and discarded them. This project is documented in The Gotham Handbook (1998).

In 1999 Calle exhibited the installation "Appointment" especially conceived for the Freud Museum in London, working with the ideas of her private desires. In Room with a View (2003), Calle spent the night in a bed installed at the top of the Eiffel Tower. She invited people to come to her and read her bedtime stories in order to keep her awake through the night. The same year, Calle had her first one-woman show at the Musée National d'Art Moderne at Centre Georges Pompidou in Paris.

"Douleur Exquise" (exquisite pain) 2003. She was supposed to go to Japan but didn’t want to, so she took the train through Moscow and through Siberia, then through Beijing, then to Hong Kong. She was supposed to meet her lover in New Delhi, but he made up some sort of story about a car accident, which she realized was a lie. She took a photograph every day until the day they were supposed to meet in New Delhi, and wrote about how much she looked forward to meeting him. The second half of the book was all about the pain of the heartbreak. She would write about the horrible memory of the conversation where she realized he was breaking up with her on one page, and ask people to tell her their worst memory, which was placed on the right. Over the days, her story became shorter and shorter as her pain dissipated over the time. The juxtaposition of everyone’s terrible memories also played down the pain of a simple breakup.

Calle's text Exquisite Pain was adapted into a performance in 2004 by Forced Entertainment, a theatrical company based in Sheffield, England.

At the 2007 Venice Biennale, Sophie Calle showed her piece Take Care of Yourself, named after the last line of the message her ex had left her. Calle had asked dozens of women—including a parrot and a hand puppet—to interpret the break-up e-mail and presented the results in the French pavilion. Jessica Lott, winner of the Frieze Writer's Prize for her review of the piece, described it thus: "Take Care of Yourself is a break-up letter (Calle's) then-boyfriend (Grégoire Bouillier, dubbed ‘X’) sent her via e-mail. Calle took the e-mail, and the paralyzing confusion that accompanies the mind’s failure to comprehend heartbreak, and distributed it to 107 women of various professions, skills and talents to help her understand it – to interpret, analyze, examine and perform it. The result of this seemingly obsessive, schoolyard exercise is paradoxically one of the most expansive and telling pieces of art on women and contemporary feminism to pass through (the major art centres) in recent years".

At her gallery shows, Calle frequently supplies suggestion forms on which visitors are encouraged to furnish ideas for her art, while she sits beside them with an uninterested expression.

In November 2008, she participated in an exhibition "Système C, un festival de coincidence" proposed by the Stéréotypes Associés in Mains d'Oeuvres, Paris.

In October 2009, a major exhibition of her works, including Take Care of Yourself, The Sleepers, Address Book and others, opened at the Whitechapel Gallery in London. In 2010 another major exhibition opened in Denmark at the Louisiana Museum of Modern Art.

In 2011 her work "True Stories" was installed at the historic 1850 House at the Pontalba Building at Jackson Square in the French Quarter of New Orleans, Louisiana as part of the Prospect 2 Contemporary Art Festival. The house, an historic museum that is managed as part of the Louisiana State Museum, is furnished with historic furniture as it was in the mid-19th Century. The artist inserted her own, personal historical objects and ephemera, with short, narrative explanatory text, into the scenes, affecting the notion that she had occupied the house shortly before the viewers' arrival.