Son of the Mask is a 2005 American fantasy family-comedy film directed by Lawrence Guterman, director of Cats & Dogs, starring Jamie Kennedy as Tim Avery, an aspiring cartoonist from Fringe City who has just had his first child born with the powers of the Mask. It is the stand-alone sequel to the successful 1994 film The Mask, an adaptation of Dark Horse Comics which starred Jim Carrey.
It also stars Alan Cumming as the god of mischief, Loki, whom Odin has ordered to find the Mask. It co-stars Traylor Howard, Kal Penn, Steven Wright, and Bob Hoskins as Odin. Ben Stein makes a brief reappearance within the first few minutes of the film as Dr. Arthur Neuman from The Mask to reestablish the relationship with the mask and Loki. The film received extremely negative reviews and won the Golden Raspberry Award for Worst Remake or Sequel. Unlike the previous film which was more adult oriented, this film is a family-friendly as the tone is much lighter and more comical than the first one's.
Read more about Son Of The Mask: Plot, Starring, Production, Reception, Video Game, Awards and Nominations
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“Son of the village chief,
you’re pitiless,
scared of your wife
and as difficult to see
as a worm in bitter fruit.
The village is starving itself over you
in spite of it all.”
—Hla Stavhana (c. 50 A.D.)
“Until you have a son of your own . . . you will never know the joy, the love beyond feeling that resonates in the heart of a father as he looks upon his son. You will never know the sense of honor that makes a man want to be more than he is and to pass something good and hopeful into the hands of his son. And you will never know the heartbreak of the fathers who are haunted by the personal demons that keep them from being the men they want their sons to be.”
—Kent Nerburn (20th century)
“Mothers easily become jealous of their sons’ friends when they are particularly successful. As a rule a mother loves herself in her son more than she does the son himself.”
—Friedrich Nietzsche (1844–1900)
“What! Would you make no distinction between hypocrisy and devotion? Would you give them the same names, and respect the mask as you do the face? Would you equate artifice and sincerity? Confound appearance with truth? Regard the phantom as the very person? Value counterfeit as cash?”
—Molière [Jean Baptiste Poquelin] (1622–1673)