Reception
The Washington Post's Bill Sheehan called the series "a humane, visionary epic and a true magnum opus" that stands as an "imposing example of pure storytelling," "filled with brilliantly rendered set pieces... cataclysmic encounters and moments of desolating tragedy." The Boston Globe's Erica Noonan said "there's a fascinating world to be discovered in the series" but noted that its epic nature keeps it from being user-friendly. The New York Times' Allen Johnston was disappointed with how the series progressed; while he marveled at the "sheer absurdity of existence" and complimented King's writing style, he said preparation would have improved the series, stating "King doesn't have the writerly finesse for these sorts of games, and the voices let him down." The San Francisco Chronicle's Michael Berry, however, called the series' early installments "highfalutin hodgepodge" but the ending "a valediction" that "more than delivers on what has been promised."
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Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)