Painting and Sculpture
Socialist realism in Polish art was confined to portraits of party leaders and various depictions of muscular labourers and battle scenes, with special attention paid to popular taste. Formally inspired by Neoclassicism as well as the local folk art, socrealism served strictly political and pro-Soviet propaganda purposes; however, its most notable artists, such as Wojciech Weiss and Włodzimierz Zakrzewski were educated before Stalinism and inadvertently adhered to traditional Western techniques and technologies. Some of the most blatantly socrealist paintings were: "Pass-on the brick" (Podaj cegłę) pictured here, by Aleksander Kobzdej, and "Thank you tractor operator" (Podziękowanie traktorzyście) pictured here, as well as "Comrade Bierut among labourers" (Towarzysz Bierut wśród robotników) by Helena and Juliusz Krajewski.
In sculpture, there was a trend toward stone-carved allegories elevating the common worker, used mainly for architectural purposes, such as those surrounding the Palace of Culture and Science in Warsaw, including mostly plaster busts of communist apparatchiks. The collection of Polish socrealist sculpture is exhibited at Kozłówka Palace near Lubartów.
Read more about this topic: Socialist Realism In Poland
Famous quotes containing the words painting and, painting and/or sculpture:
“His work was that curious mixture of bad painting and good intentions that always entitles a man to be called a representative British artist.”
—Oscar Wilde (1854–1900)
“When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.”
—D.H. (David Herbert)
“What sculpture is to a block of marble, education is to an human soul.”
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