Decline
The piano’s status in the home remained secure until technology made possible the enjoyment of music in passive form. First the player piano (ca. 1900), then the home phonograph (which became common in the decade before World War I), then the radio (in the 1920s) dealt severe blows to amateur piano-playing as a form of domestic recreation. During the Great Depression of the 1930s, piano sales dropped sharply, and many manufacturers went out of business.
Another blow to the piano was the widespread acceptance in the late 20th century of the electronic keyboard. This instrument, in its cheaper forms, is widely considered to provide only a poor substitute for the tonal quality of a good piano (see piano for why), but it is much more flexible and in many ways better suited to the performance of popular music.
Nevertheless, the piano survives to this day in many 21st century homes. The pianos being bought today tend to be of higher quality and more expensive than those of several decades ago, suggesting perhaps that domestic piano playing may have concentrated itself in homes of wealthier or better-educated members of the middle class. It is unlikely that ability to play the piano contributes much these days to the marriageability of daughters, but many parents still feel today that piano lessons teach their children concentration and self-discipline, and open a door into the world of classical music.
Read more about this topic: Social History Of The Piano
Famous quotes containing the word decline:
“Considered physiologically, everything ugly weakens and saddens man. It reminds him of decay, danger, impotence; it actually reduces his strength. The effect of ugliness can be measured with a dynamometer. Whenever anyone feels depressed, he senses the proximity of something “ugly.” His feeling of power, his will to power, his courage, his pride—they decline with ugliness, they rise with beauty.”
—Friedrich Nietzsche (1844–1900)
“Or else I thought her supernatural;
As though a sterner eye looked through her eye
On this foul world in its decline and fall,
On gangling stocks grown great, great stocks run dry,
Ancestral pearls all pitched into a sty,
Heroic reverie mocked by clown and knave....”
—William Butler Yeats (1865–1939)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall—which latter, it would seem, is now near, among all people.”
—Thomas Carlyle (1795–1881)